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Stillness

It is worth admiring the way stillness portrays emotions by narrating stories... 2026
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Full Moon's Brightness

  It is Somewhat Extraordinary To Realize That a Full Moon's Brightness Can Drive Away Darkness 2026

A Sense of Belonging or A Sense of Control?

  Protecting and Reconstructing our Cultural Heritage could either create:  A Sense of Belonging  or  A Sense of Control. Which one do you Choose? 2026

Are You A Museum-Goer?

  Whether you are a museum-goer or not,  When visiting a museum, take a moment to settle in and observe.  Observe and imagine what life would have been like,  how our ancestors lived and  how creative they have been.   Take a moment to admire the beauty of human nature.   2026

The Castle Walls

  Walking through a castle Medieval walls are subtle  Corridors and stairs sounding echoes Empty spaces narrating errors Everything they hoped A future full of hopes 2026

Opera - Le Nozze di Figaro - Cinque, Dieci, Venti

The duet " Cinque, Dieci, Venti " from W.A.Mozart's opera " Le Nozze di Figaro " which translates to  "Five, Ten, Twenty"  is sung by Figaro (bass-baritone) and Susanna (Soprano), during  Act 1, Scene 1 ( The Aria Database ).  Figaro and Susanna are preparing for their wedding. In this aria, Figaro measures the room to figure out if it fits the bridal bed (i.e. the reason why the aria starts with the numbers five, ten, twenty) while at the same time Susanna tries on and fixes her hat/veil (cappellino) which she will be wearing at the wedding. ( Arisona Opera ). Figaro is focused on the measurements while Susanna wants him to admire her capellino.  Musically, the fast movement of the semiquavers at the beginning of the duet, portray a lively environment. Figaro's steady and monotonous counting shows a stable character that is taking care of everyday chores whereas Susanna's melodic line with numerous leaps, contrasts Figaro's steadiness and ...

Opera - Le Nozze di Figaro - Aprite Presto Aprite

The duet " Aprite Presto Aprite " from W.A.Mozart's opera " Le Nozze di Figaro " which translates to  "Open Quicky Open"  is sung by Cherubino (Mezzo soprano) and Susanna (Soprano), during  Act 2, Scene 11 ( The Aria Database ).  In the Countess' bedroom, Cherubino, Susanna and the Countess try to dress Cherubino up as a girl. They plan to "seduce" the count in order for him to get caught by his wife. As the Countess exits the room, Susanna and Cherubino hear the Count coming in. Cherubino hides. When the Count leaves, Susanna tries to flee Cherubino since the Count is still around. Cherubino decides to jump off the window to the garden, a thought that frightens Susanna ( Arisona Opera ).     According to George Henry Hubert Lascelles, Earl of Harewood the duet " Aprite Presto Aprite " has no meaning and offers no essential value in the opera ( Opera 1989 ). However, Alan Tyson supports that in the original manuscript, this duet...