The duet " Cinque, Dieci, Venti " from W.A.Mozart's opera " Le Nozze di Figaro " which translates to "Five, Ten, Twenty" is sung by Figaro (bass-baritone) and Susanna (Soprano), during Act 1, Scene 1 ( The Aria Database ). Figaro and Susanna are preparing for their wedding. In this aria, Figaro measures the room to figure out if it fits the bridal bed (i.e. the reason why the aria starts with the numbers five, ten, twenty) while at the same time Susanna tries on and fixes her hat/veil (cappellino) which she will be wearing at the wedding. ( Arisona Opera ). Figaro is focused on the measurements while Susanna wants him to admire her capellino. Musically, the fast movement of the semiquavers at the beginning of the duet, portray a lively environment. Figaro's steady and monotonous counting shows a stable character that is taking care of everyday chores whereas Susanna's melodic line with numerous leaps, contrasts Figaro's steadiness and ...
The duet " Aprite Presto Aprite " from W.A.Mozart's opera " Le Nozze di Figaro " which translates to "Open Quicky Open" is sung by Cherubino (Mezzo soprano) and Susanna (Soprano), during Act 2, Scene 11 ( The Aria Database ). In the Countess' bedroom, Cherubino, Susanna and the Countess try to dress Cherubino up as a girl. They plan to "seduce" the count in order for him to get caught by his wife. As the Countess exits the room, Susanna and Cherubino hear the Count coming in. Cherubino hides. When the Count leaves, Susanna tries to flee Cherubino since the Count is still around. Cherubino decides to jump off the window to the garden, a thought that frightens Susanna ( Arisona Opera ). According to George Henry Hubert Lascelles, Earl of Harewood the duet " Aprite Presto Aprite " has no meaning and offers no essential value in the opera ( Opera 1989 ). However, Alan Tyson supports that in the original manuscript, this duet...